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    But maybe I've just been spoilt with amazing letterers and really taken it for granted [laughs].Generally, I don't see the lettering work until a while after I've finished my part, so maybe that remark is more from the letterer's point of view.PRINCE: I think the issues answer the question: Chapter One is this sort of existential horror thing with a handful of creepy-crawlies; Chapter Two is a pretty straightforward tragedy about two opioid addicts; Chapter Three is about a washed up rock singer (à la Bill Haley) finding a fantastical world in his basement, wherein he has to write the perfect song to save all of humanity.MATTER: The combination of the Ice Cream Man, the novelty truck with a serving window, and the jingle is usually depicted as a positive aspect of childhood.Besides the appearances by the Ice Cream Man himself, and repeating characters and locations, we'll have some graphic elements that will ground the reader and show this is all happening in the same world.And there, on the side of the road, will be the Ice Cream Man, serving as a connector between each story.So I kept writing, and eventually the chapters started to coalesce in my dumb head around a central storyteller, who slowly came to reveal himself to me as a peddler of ice cream..may or may not be god, the devil, or something else entirely.

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    How is it genre-defying, and can you hint at what readers can expect?I knew I wanted to tell a bunch of different little ditties, all sad, about different people, with different laws of reality governing the narratives.But I think you need some sort of glue or connective tissue to justify doing a book like that as a monthly comic.MATTER: I recently attended Rose City Comic Con in Portland, Oregon, and in one of the panels about the Fine Print Crew (those on the inside cover of a comic book), letterer Ariana Maher described her relationship with her colorist as deeply interconnected.Chris, would you say that’s true for you and, if so or if not, why? Everyone is playing off each other, but I'm not sure I would say I'm more deeply connected to the letterer over the artist in general, to be honest, or not more so than anyone else involved anyway, but there are definitely moments when I've felt a nice syncing of the two.

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